Tuesday, April 16, 2019

Thompson Reading Response



A computer/man hybrid? I mean, I'm not not opposed.

Clive Thompson's Smarter Than You Think is a good representation of the type of attitude you can have about the collaboration of computer-based technology and man. I really want to watch Transformers now just to hear an epic speech from Optimus Prime about man and bot working together towards a better, more advanced world.


(See 3:45 for the relevant part!)

Through some quick research, I did find that Thompson is a known blogger, which totally makes the writing of the text make a lot more sense. It stood out to me because it was quick and ultimately felt more accessible than most of the other texts we've read this semester. Admittedly, I was happy with its light language and speedy topic dumps. However, after reading it fully (well... skimmed fully) I was surprised that Thompson decided to not go into fewer topics deeper. For example, the image of the centaur is not interrogated critically enough, in my opinion. Thompson does a good job at recognizing that the machine/man hybridization of the future raises issues of dependence and moral reasoning, but he really leaves these topics unexamined beyond just discussing it.

I do think though, that Thompson's optimism is part of what sets this reading apart from others we've interacted with this semester, but it also leaves a lot of these opportunities to really discuss and critique thoroughly wide open for interpretation. I think that in his attempt to argue for the positive he sold himself short by not including different stories that represent the complexities of the larger picture. He really only examined success stories focusing on non-profits or smaller scaled endeavors. I do, though, really appreciate the blunt discussion of not fearing this technology/man collaboration. He's open about this from the first few pages using young chess players as a metaphor to discuss the more forward-thinking attitudes of future generations.

 



Pariser Reading Response


This idea of the interwebz taking over our minds is not a new one but it is one that still freaks me out! Eli Pariser's text The Filter Bumble offers a unique study and look into the ways personal data algorithms shape our technology experience. Because this blog post is late, I did actually have the opportunity to read Clive Thompson's Smarter Than You Think before responding to Pariser. This rule defining order of events actually worked out in my favor this time - by allowing me to compare. However, this post is not meant to work as a compare and contrast between both authors (I still have another post to write) but it did help in my own experience reading for tone and opinions through that tone. It's interesting that the order of the reading started with one of the most paranoid and cynical texts we've read followed by the most positive thinking of our experiences with technology.

In the topic of personalized data, yeah it pisses me off when all I do is look at one pair of shoes one time and for weeks that damn pair of shoes pops up at every opportunity in any online space. Do advertisers not realize that that just makes me want to buy them less?

Apart from my impulsive shopping habits, I have to discuss the recent campaign by Facebook looking to hire journalists to help rebuild their reputation after the Fake News scandal. 


In November 2016, Facebook and Google both pledged to stop advertising income for 'fake news.' In April 2018, Mark Zuckerburg was called in front of Congress to answer questions about many issues concerning his platform - the fakers being one of them. As a result, in July Facebook announced algorithm changes designed to boost content from friends, family, and groups. The company, realizing it had a reputation problem, launched an ad campaign reassuring users that they would be protected from, "spam, clickbait, fake news, and data misuse" (WIRED, w.p.). I couldn't help but notice that jobs are being created based on the existence of fake news and data misuse. Any campaign launched by Facebook creates jobs - even the recent call for young reporters from the platform calls for rebranding. It's fascinating to look at the PR moves that these sites are taking to address these changes. A Facebook spokesperson said, "We're working on how we more effectively identify and differentiate news and news sources across our platform. For instance, we recently announced the Archive of Ads with Political Content, where we'll build separate treatments for both news and non-news content" (WIRED, w.p.). 

I think it's interesting that Mark Zuckerburg was called in front of Congress but this idea of data misuse, we know, is not new. I think the immediacy of Facebook's content with its members is part of what pushed Zuckerburg at the center of our targets. I never found on the press release what qualifies data misuse but I'm certain it goes back to the use of personalized information - advertisements and clickbait designed to fit the person - it's part of what made Zuckerburg a freakin' billionaire after all. I can just imagine Pariser watching the news like, "Yep, what I say?!" 

 




Wednesday, April 3, 2019

CPE Working Draft

Hello, fellow group members! If I haven't talked to you yet in class - I plan on creating an education podcast (for educators) discussing the problems teachers face in terms of technology use in classroom spaces. I began this process by looking deeply into reports and theory about educational policies and really, where did we go wrong and what are we doing right? The issue with my wide range of research is that there really is no answer to the problem - it's about everything from the culture of the education community, policy changes, funding, training, unrealistic expectations, and no follow through, just to name a few. Because educational theory is so exciting for people (cough, cough) I thought a good way to humanize the voices and experiences of the people who do the work daily is that they're heard alongside the conversation that they're often left out of. My goal for this podcast is to emulate some sort of RadioLab experience. If you haven't listened to RadioLab, I highly encourage you to do so. They're particularly interesting in the realm of podcasts because of their use of storytelling and sound. Below is an example of their style - this video is really long but even in the first couple of minutes you should get the idea.


Using RadioLab as my inspiration as I create my first podcast, I want to incorporate some element of storytelling and sounds to help circulate the conversation around its various topics. To be honest, my script is a little up in the air, because I'm learning that sound editing takes a lot more time then I thought so I'm hoping the final product will be about 5 minutes long. I'm scheduled to get my interviews recorded this weekend so a lot of what I say will circulate around where the conversation goes in those interviews.

 For now, here's the work-in-progress, which includes some content about the actual topics of the conversation I plan on having, the people involved, as well as some of the sounds I hope to incorporate/morph together in the editing process. Wish me luck!

 
(I'm currently working on breaking some of these audio clips a part--don't worry I won't use the entire thing). 

School Sounds

Tech Sounds

Marker on the whiteboard

Made In America

***

Ethan Dickens TEDtalk about technology use

Why Technology won't fix Education TEDtalk

Why Technology will fix Education TEDtalk

Ken Robinson

***

Technology Trends

THE FUTURE

Sal Khan from Khan Academy 

***

Singapore Seems to Solve the Problem

***

ENDING SONG BECAUSE IT'S AWESOME AND WORKS

SmartBoards
-Have We Fixed the Problem or Made It Worse? 

What's Happening Now? / What's the Cost of these new technologies?
-Mr. Rossi and Mrs. Warn at Bozeman High School has agreed to speak with me about their relationship with technology in the classroom. (Scheduled hopefully Friday!)

(The Children's Museum of Bozeman (partnership with schools around Bozeman)
-Kendall (a project coordinator for the museum) shares his thoughts  (Interview scheduled hopefully Saturday!)
    -working with the schools
    -3D Printing in the classroom
    -Teaching Coding

-Sound clips from my own education classmates (what do they have to say?)

-My 11-year-old Nephew, Lewis, will hopefully be making an audio appearance
     -His school is super involved with Robotics and Coding Competitions (What are the students' thoughts?) 













Wednesday, March 27, 2019

Hayles Reading Response


As a fourth-year college student, you are rarely asked to write about yourself. We know from early education that in grooming people to think alike for a centered, moral, and consistent workforce you must first produce a lot of like-minded people. As an education major, we're taught from our first day to dismiss any idea of what a classroom 'should' look like from our minds. We acknowledge the image below and reflect briefly that a predominantly (...exclusively) white, male, able-bodied classroom is no longer the reality - psych! Contemporary classroom may not look exclusively white but damn, they're so white. 



I really love thinking about this idea alongside Hayles' article and the ways we approach a changing field of study. Personally, I don't understand why educators, and/or the systems they occupy, are so reluctant to admit that the ways we educate now vs. then is simply different. I refuse to believe that kids are getting stupider - even though that's exactly what test results are concluding. I think the image above allows us, as readers, to do something more - to me, it allows us to evaluate the idea of productivity and why, to this day, individuality is something feared in these taught spaces. Hayles says, "After more than two decades of symptomatic reading, however, many literary scholars are not finding it a productive practice, perhaps because (like many deconstructive readings), its results have begun to seem formulaic, leading to predictable conclusions rather than compelling insights" (65). I think all these ideas overlap in some ways - teaching reading skills looks different than our ingrained image of education because our students and their needs are different. I recently did a report of education policy changes for a class last semester and through that process of actually reading laws and policy changes decade after decade, I realized that not much has changed. Language changes, quite regularly to apply to the relevant situation and classroom spaces, but the actual content of the policies do not change very much. "No Child Left Behind," the state standard testing incorporated by the Bush administration still exists, it just got a makeover and is now called the "Smarter Balance Tests." The rules are different and the funding is different but the tests themselves are still what they always were - standardized. Now they're online!  

Below, I've included a trailer to a fantastic documentary series named, America to Me. While this trailer focuses on the racial inequalities happening in diverse schools it does raise an interesting point, "We're preparing our black students less well to compete with their peers" (w.p.). I think this documentary is one way of looking at the current issue of teaching, in general, the same traditional literary cannon-esk ways to a large body of difference.  



Current education classes circulate around the ideas of teaching the skills rather than the content. To a point, this seems like the right way to go. Based on statics and test scores - students aren't reading as much or as well as they did 15 years ago. This is true, but it doesn't mean students got dumb. It means their needs, expectations, and pressures are different then they were 15 years ago and school needs to adjust themselves to fit the current students. We're taught in my own education classes that it's silly to prepare for a hypothetical class you might have - it doesn't matter because the content and the ways you teach that content will change from class to class. If teachers are taught to adjust based on the needs and realities of the studnets then I don't understand why educational systems can't follow the same fluidity. "The crucial questions are these: how to convert the increased digital reading into
increased reading ability and how to make effective bridges between digital reading
and the literacy traditionally associated with print" (62).

Friday, March 15, 2019

ePoster



I think I made a mistake. I made the decision to not to start my (e-)poster until I had a good amount of research completed for the Critical Photo Essay. At the time, I thought I shouldn’t limit myself to whatever research I had in order to make sure I was communicating the entirety of my project correctly. This was stupid—not only do I have too much of the wrong kind of research but the actual (e-)poster is not big enough or the space to communicate all the data I collected. It was too much and it made the process of starting the poster a lot harder. Getting the ‘right’ content is one thing but the other is trying to communicate that content visually. I love art and I consider myself fairly artistic so I went into this assignment feeling pretty good about my abilities in alignment and graphics. I had no idea that the process of transitioning textual information in visually accessible ways goes far beyond the techniques I learned in art class. This process asked me to extend my artistry further into the digital realm—combing all the elements in one single product—Whoa!  

I have never created an (e-)poster until now so I thought I should stick to technology I know, PowerPoint. After completing the project I wish I would have taken more time to explore other options like Adobe or something that offered more editing. Fiddling with multiple text boxes on top of each other got to be frustrating. This is an understatement—I started and deleted this poster three times before I was happy with the textures, colors, and alignment—that auto alignment was not my friend. Little things like this made this process much harder for reasons that went outside my own anxieties of writing well. I knew how I wanted my poster to look but I needed to Google every step to figure out how to actually make it happen within the program. My limited technological knowledge did, I think, hold me back because I needed to fall back on other decisions that I understood how to do in PowerPoint. I would have loved to display the bar graph in a little bit more interesting ways—but everything I tried in the program got really difficult to move around and edit so I decided to stick to a basic bar graph. If I were to do another (e-)poster I would definitely not take the technology for granted and allow myself more time to practice within it. The color wheel was my friend, I kept referencing back to it because after you start and restart a project three times you don’t really know what colors look good together—I felt a little like I was clothes shopping—unable to make decisions.  

(E-)posters are pretty cool, I have to admit. The process of making it was frustrating but I wish we could do more because they’re so good at forcing you to interpret information differently. Being concise is key, which I struggle with anyway, so this was great practice. I also think the idea of a single product demonstrating so many of the elements we’ve discussed this semester was so important. McCloud came in clutch as I drafted my sequencing of information in ways the viewer could follow instinctually. I am happy with the way my finished product turned out—would I do it this way if I could redo it? Probably not, but that’s ok. I was able to make cuts and include less in order to make the poster more readable, I came up with a color sequence that I actually like, and I didn’t fall into the trap of cheesy education graphics of kids looking just a little too happy. Overall, (e-)posters are cool and PowerPoint sucks. Onwards!  
  

Monday, March 11, 2019

McCloud 8 & 9 Reading Response


McCloud's reading this week had me like... YAS! The discussion of color is a fascinating one but what I hadn't considered was how much color is ingrained in our cultural awareness. Symbols are everywhere and that's largely in part to color. This makes sense after saying it - there are flags that represent nations, colors that hold significance in describing gender identity, and colors that symbolize a fast food joint, or your favorite superhero. Color is absolutely everywhere, McCloud though was able to step back and acknowledge the significance and meaning of color in one specific medium that's not discussed often. After reading McCloud in its entirety, I really enjoyed it. Did it make me want to start reading comics on my own for fun... no. However, I am stoked to have SOMETHING to offer in this context when I utilize it in my own classroom. McCloud described another mode of art and communication that deserves our consideration and respect - I will start doing that. 

In the discussion of color, it doesn't matter whether or not you stand under a spectrum of red, white, and blue or rainbow - it's safe to say there's a lot more to color then what meets the eye (see what I did there). Alright, I'm done.  







"The wall of ignorance that prevents so many human beings from seeing each other clearly can only be breached by communication. And communication is only effective when we understand the forms that communication can take" (198).







For example, the six-color rainbow pride flag we know well has served as a symbol to the queer community since its emergence in 1971 (w.p.), but the queer community has evolved over the past decades, leading many to question whether the pride flag still caters to those most marginalized in the community, including queer people of color and trans people.  






In an effort to accurately support all queer bodies of difference, the pride flag recently received a makeover. This is my opinion, is a pretty amazing design, thinking ahead and taking critiques of the idea into account. (The first draft added the new colors on top of the rainbow spectrum) Majority of people didn't like this because it acted as if it were replacing the significance of the gay body with people of color and tras people. This though couldn't be further from the truth - however the first draft of the new flag did prove that color, and its symbols mean a lot to people. Taking all this into account designer, Daniel Quaser, came up with the design on the left, signifying the new area of queer bodies 'added' to the spectrum.  



Moving on to film:  




I recently learned about the film Roma from a friend - she said it was one of the best films she's seen in years. I was curious to look it up and notice quickly that it was filmed in black-and-white. This shouldn't bother me, and it doesn't, but I still noticed it and took a mental note that this was somehow odd. McCloud even notes, "The differences between black-and-white and color comics are vast and profound, affecting every level of reading experience" (192). I thought this was interesting to think about in terms of contemporary art and film. We're lucky to have the technology that allows us to make these rhetorical choices - black-and-white is symbolized in film as old. To some, that means quality, because only great films were shot during this era. To others it's thought of as dull and boring -we have color now for a reason, so use it. We've seen random films make this choice for a number of different reasons. A modern film to pull off the 'symbolicness' of what black-and-white offers must be pretty good and trying to make a larger point. I just think there's something really interesting about a medium reinventing itself in a time where it's no longer necessary to exist. Films like Roma though, prove why "black and white will never be erased entirely" (192).   


Sunday, March 3, 2019

The Female Body: Wysocki Reading Response



Wysocki offers a unique take on the body suggesting that its use is foundational in the history of visual text. Our attachment to our bodies and our innate fascination with others has been a source of capitalism for well..., ever. The female body, especially, has often been symbolized as a commodity of use and exchange. Wysocki's reading center's this argument to understand a couple ways the symbol of the female body is created and perpetuated through our cultural understanding of how to view and interpret bodies.



"...contrast, repetition, alignment, and proximity--for visual arrangement"   (Wysocki et al., 150)


The result for women seems to be twofold. On the one hand, women are reduced to their biology and utilized as a literal prop that connects to culturally sexual acts, positionings, or disassembled 'parts' of the body. On the other hand, when women are defined it's only in terms of their reproductive capabilities.    

Wysocki does something really interesting in this conversation by acknowledging that this use of the female body, "requires acknowledging--among other cultural categories and structures with which the figure of the generalized [female] articulates--gender, gender relations, sexual orientations, the particularities of cultural practice, relations and movements of capital and property, and so on" (156).  The female body constantly belongs to someone other than herself. She goes from being someone's daughter to someone's wife, then to someone's mother. The female body is further utilized to be of use to others and the culture of the visual text does demonstrate this. We are all either potential mothers, current mothers, or failed mothers. If we cannot uphold this biological standard, we are not wholly woman. Mothers who, for whatever reason, are unable to live up to these ideals are deemed not just as ‘bad’ mothers but, more importantly, failed women. These standards of whole 'womanness' suggest that women need to be both the prostitute and the angel of the house--standards that follow the female experience throughout each phase of her life. 

Below I've inserted a video demonstrating the ways the idealized female body is viewed in contemporary culture.





"I want to argue that the body in the Peek layout has been made into form, has been departicularized: when we see this body, we are seeing a body only through a distant, universalized, formality that I have argued is well-seated in Kant's notion of aesthetic judgment and that we have inherited in much of our uncritical and uncriticized practices with and around the visual." (Wysocki et al., 167). It's true too, that there's a lot of evidence of a cultural change. I think it will continue to be interesting to see the ways mainstream culture change with movements like HeForShe, #METOO, and global outreach from the United Nations of Women, and many many more. Now, as the culture begins to change the visual text the use of bodies changes too. It's useless to ignore the ways the female body has been used and is still used today. Many people utilize this as a new platform to speak from to encourage change showing the female body as natural and strong. This isn't new of course, this has been in the motion of popular culture for decades--now it's becoming a norm to include more and more bodies of difference. Not just opening up the conversation to real women, but different types of women, color, size, age, ability, gender, etc. Unfortunately, this changing discourse of difference IS STILL between the culture of the idealized body, and it will most likely continue to be. Wysocki states, "We come to see visual composition as rhetorical, as a series of choices that have much broader consequences and articulations than visual principals [...] suggest" (173). This does suggest that the culture will influence the art of visual text and it will continue to change and disassemble as our interpretation of the body and its uses do in fact change. 


Below are more contemporary examples that use the body in more productive forward-thinking ways!



The image above shows the topless feminist group FEMEN. They're what journalis have flagged as "sextremists" (w.p.) whose aims are straightforward and radical for Eastern European culture. Body rhetoric is facinating here, not only does the image shoe six topless women protesting rape culture, but they purposfully use their naked bodies in public spaces like the Louvre to attract the attention they want. Their bodies are painted with words, "justice against rape" while their body stance is in unison--feet apart, firming rooted, aggressive like warriors. 


"At Mothercare, we believe all mums are beautiful and should feel proud and confident about their bodies" (w.p.). 







"...the body outside the layout, the viewing body on which these principals are based, must also be acknowledged in its complexity" (Wysocki et al., 156). 









Wednesday, February 27, 2019

Use of Lines: McCloud Response




McCloud grew on me this week--apart from him continuously making me question the larger questions of life like time and space, space and time, etc. I did find myself reading to read and accept that I needed to take the reading slow to give it the attention it deserves--this didn't come easy for me so I decided to look for more outside examples that utilize the same ideas that McCloud uses in Chapters four and five.  



The themes of panelling and boarders indicating timing and spacing is incredibly useful--especially going into the e-poster project. The poster we observed in class was quite text heavy ad didn't offer many visuals, but you still knew how to read it in the way it was intended. McCloud acknowledges that this wasn't by accident--planning was done. Each designer, artist, and author utilize concepts McCloud shares. I think the purpose of the text is to explain comics by giving it form and a shared vocabulary to use to discuss many of the concepts people surrounding the community of comics already understand. Comics, like many different types of communicating and storytelling, don't really know how to define themselves while determining what also makes themselves unique. We know how to read the comic strip to the left because there is some form and structure to this genre that we innately understand. 




McCloud works to uncover the exploration of visual design--but it's also meant to inform you about other forms of communication that utilize many of the same concepts. McCloud says," The most bland 'expressionless' lines on earth can't help but characterize their subject in some way" (125). Similarly, architects use lines for structural reasons and manipulate it in ways for its users to be guided through the building--  but they also play with it in ways that have "expressive potential" (124).  


"Can emotions be made visible?" (118). 




 I think these ideas of visual representation is fascinating. It's really helpful going to outside sources to understand these ideas on a broader spectrum of design and art. In my search for other sources using line and space, I came across this really weird/awesome ballet dance that captured the line sequencing of the dancer's movements! After watching this, even though the video isn't operating within bordered panels it's still communicating lines of emotion that are visible.    
















Tuesday, February 26, 2019

CPE Proposal and Annotated Bibliography

This research will focus on the implications of utilizing technology within the classroom space effectively and efficiently. I plan to situate my research alongside current topics of technology use, policy, and disability studies within secondary schools. The research will evaluate the ways technology has been implemented and updated over the years to determine its best use in the classroom.

Jamie Martinez discusses in, A Performatory Approach to Teaching, Learning, and Technology that technology, besides the desktop computer, has been utilized in the classroom space inefficiently. She argues that teachers receive little to no training making the technology useless and eventually obsolete in the space causing frustration to them and their students. Martinez’s study takes me back to my own experience in class when my fifth-grade teacher Mrs. Kohn always seemed to be mid-sentence when she was interrupted by the annoying ‘ding’ of the smart-board alignment screen, forcing her to pause and chick through a series of checks to continue using the touch screen. A piece of technology that was meant to be an attempt at multimodal digital use ended up being a complicating, never-working projector. Contemporary research suggests that disability studies must be considered in the discussion of technology use. P. Karlsson states in, “Stakeholders’ Views of the Introduction of Assistive Technology in the Classroom,” “To enhance the way technology is matched to the student and successfully implemented, classroom teachers need to be fully involved in the whole assistive technology process.” (Karlsson, w.p.). Here, it’s important to note that all current research acknowledges the changing field of education on the broader level—expectations for career readiness, levels of technology, etc., are all changing and need to be considered on the broad view of whole education.     


My research will work to determine the ways classroom technology has been used in the past and look towards research such as Stephanie L. Kerchbaum’s, Toward a New Rhetoric of Difference and P. Karlsson’s, “Stakeholders’ Views of the Introduction of Assistive Technology in the Classroom” to discuss how to best utilize it and plan for updates in the future.



Annotated Bibliography
“ADA Reasonable Accommodations for School Employees.” Oregon School Board Association.
            2017.


In addition to the requirement of the implementation of the Americans with Disabilities Act (ADA) which as a federal civil rights law protects individuals with disabilities from discrimination, particularly in places of employment for the purposes of this source, the Oregon School Board Association implements further accommodations. The Oregon Fair Employment Practice Act practices prohibiting discrimination on the basis of disability. This website acts as a legal resource, analyzing the details of the “Reasonable Accommodations” for individuals living with disabilities currently employed in Oregon school districts and community colleges. The document discusses when accommodation are/are not required and practices for institutions to avoid liability issues. In addition, it provides examples of cases involving reasonable accommodations and how courts within Oregon jurisdiction have decided those cases. Oregon is a standout state in the U.S. for its choice to further its accountability for accommodation. This website serves as a standard for which other states can model their disability accommodations.

Anonymous. “Teaching/Undergraduate and Graduate Education Symposium: Beyond PowerPoint: Uses of Technology in the Classroom.” Journal of Diary Science, 2010.

https://search-proquest-com.proxybz.lib.montana.edu:3443/docview/2168984448?rfr_id=info%3Axri%2Fsid%3Aprimo

The article works to summarize state and national policies concerning the technologies implemented in classroom spaces. It goes on to discuss specific district budgeting in states such as Oregon and Washington to determine the logistics of actually installing technology such as ‘smartboards’ in the classroom space. This document is useful in building a foundation to work from throughout this study. It’s vital to guide my research alongside policy changes over the years—in order for the research to be accurate and useful through more contemporary sources. 


Dolmage, Jay Timothy. Disability Rhetoric. Syracuse University Press. 2013.

In the first book written with Disability Rhetoric as its premise, Jay Timothy Dolmage challenges classical rhetoric, saying that rhetoric, at large, has ignored the body. In his use of Mētis (the rhetorical concept of adaptive intelligence) he embodies rhetoric as being both double and divergent. Rather than approaching rhetoric with logic, metis approaches it from different means, often considered “backwards” or “sideways.” In resisting the cultural idea of normativity, Dolmage gives validity to the different ways in which bodies “speak,” despite some bodies being differently abled. His argument takes a three-step approach: 1) The body is, and always has been, rhetorical, whether as a product or experiment. 2) Rhetoric is always embodied, the body is rhetorical because it communicates and thinks. 3) Disability shapes our rhetoric, because the embodiment of difference is the possibility of meaning. By incorporating Mētis, Dolmage reimagines education as a place of adaptation, change, uniqueness, invention, etc., rather than it’s historical place of accumulation, retention, comprehension, and reproduction.


Karlsson, P, et al. “Stakeholders’ Views of the Introduction of Assistive Technology in the Classroom: How Family-Centered Is Australian Practice for Students with Cerebral Palsy?” Child: Care, Health and Development, 2017.  

http://eds.b.ebscohost.com.proxybz.lib.montana.edu/ehost/detail/detail?vid=0&sid=d558185b-ab10-443b-97ff-af6198f8c262%40pdc-v-sessmgr06&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=123394084&db            =a9h

Karlson’s study works to investigate the approaches used by schools when assistive technology assessments and implementation occurred in the classroom. Compared to similar changes made after the No Child Left Behind Act—Australian schools were required to take their national exams online. This, as researchers know, was a difficult change to implement nationwide. This study looks at the steps taken to educate the teachers running the exams. The study also looked into the services required for students with disabilities to take the exams with the necessary services. Speech pathologists, in particular, are seen to be extremely helpful to students with IEFAs, and need to be required for exam testing but this will not be fully achieved for many years. This study is valued through my research and will serve as a good addition to my own cannon concerning classroom technology.     



Kerchbaum, Stephanie L. Toward a New Rhetoric of Difference. Conference on College
Composition and Communication. 2014.

In a discussion of the importance of difference within composition classrooms, Kerchbaum discusses the importance of teachers recognizing students’ differences, because the ways in which teachers orient students affects student-teacher relationships and the possibilities for the classroom at large. An attention to flexibility in change is stressed in relationship to the rigidity of classical rhetoric and classroom management. To best learn to communicate across difference, Kerchbaum stresses the importance of always pushing to know more about the Other, while simultaneously understanding that we can never fully know the Other as a “totalized and whole consciousness.” While recognizing that difference in everyday interactions is rarely recognized, productively negotiated, or honestly addressed, it is acknowledged that it is in marking difference that it comes alive. By distinguishing the markers of difference as often being painful, we see the ways in which markers of difference are most obviously present in a writing classroom, where difference is expressed in the vulnerability of writing.


Martinez, Jamie E. A Performatory Approach to Teaching, Learning and Technology, 2011.

https://login.proxybz.lib.montana.edu:3443/connect?session=sLMjVaSJ68dAKBmo&qurl=https%3a%2f%2flink.springer.com%2fcontent%2fpdf%2f10.1007%252F978-94-6091-666-3.pdf           

The digital text works to discuss the ways performance is utilized to make the most of classroom spaces and the resources available to the school. Martinez situates her argument in low-income Latino communities. Technological advancements are happening all around us, outside of the classroom, but test scores and overall school effectiveness is declining. TEDtalks, she notes, are full of wonderful ideas and projects that make positive use of children’s fascination with technology. Martinez suggests that’s this is the key, provide students with a base that is driven by their curiosities, then connect them through the technology they use to communities that provide opportunities for them—it’s possible to be in contact with people and ideas from all over the world. Martinez’s text is extremely valuable as I discuss how low-income schools can still provide effective teaching through technology.    



Monday, February 11, 2019

Gods Amongst Geeks


Putting pencil to paper is how it all starts.


Since that fateful day in 1938 when Superman bounded into life in the first issue of Action Comics, artists and illustrators have found themselves pre-occupied with the burning desire to create superheroes. Designing these characters, the worlds they protect and how they can live in context with words on a page is an art in itself - and comic book artists have a huge and worldwide following. These 'gods amongst geeks,' if you will, range from British trailblazer Dave Gibbons to American legend Jack Kirby. Comics are often derided as a 'low' art form, but they boast a massive influence on pop culture, with huge blockbusters, all based on panels in print. 

Perhaps due to their apparent ability to get inside our heads. They harness our memories and use them to implant new ones – by requiring our brains to build connections between words and pictures, and also between panels, not merely one panel after another in sequence, but in networks across each page and through an entire book. This makes them a powerful tool of communication and education.


Comics have always had their critics, and what lies behind many of their objections is a peculiar resistance to this blending of prose and pictures.  

In 1766 German critic Gotthold Lessing wrote Laocoon, in which he compared "the limits of painting and poetry" (w.p.).  Lessing asserted that painting works in space and depicts one moment perceived all at once, whereas poetry is apprehended in time and so can depict a succession of moments. Lessing therefore insisted that painting and poetry be kept entirely apart to avoid tainting each other and turning a painting into "a speaking picture" or a text into "a freakish kind of writing". Keeping writing and drawing pure, keeping text unillustrated, keeping painting unsullied by verbiage or any sort of "reading," would become 'credos' of both the literary and art establishments. First translated into English in 1836, Lessing's separatist theory is still being read, taught and believed.

Critic John Walsh decried them as "a bastard version of the real thing." In his view, "good novels are made of words, without drawings that helpfully show the expressions on characters' faces" (w.p.). But complexity is possible through the counterpoints, contrasts and contradictions between what is written and what is shown. The tired argument that comics visualize too much and prevent readers from exercising their own imaginations ignores the fact that creators rely on the audience's active participation to interpret and animate what unfolds within and between the panels. In comics, there is nothing without the reader's imagination.


Walsh continued: "It's cruel but true: illustrations in novels are for children, or those who have trouble keeping up" (w.p.). 




Coined in 1964, the label "graphic novel" enabled comics to rebrand themselves and encourage adults to approach them in new ways, but this term has proved problematic, and is loathed by many creators and readers. Try as they might, the graphic forms of the novel can't help being subversive of the prose-only novel tradition by daring to question the superiority of words. What disconcerts the literati is that the graphic novelist does not have to resort to copious textual descriptions, but can convey a concrete visual image directly and clearly to readers. What gives comics their force and their danger is that the images are always there, to be looked at as long and as often as the reader chooses, contradicting the notion that comics lend themselves only to speed-reading, and so are not conducive to reflection.